By the Fall of , Kristen was officially in the band and regularly playing duets with MZ. At about that same time, Mark and Clay started playing a late Monday night gig at The Mausoleum , organized by Clay's friend, Eduardo , a progressive singer-songwrtiter who played the earlier slot.
Eduardo often brought in his drummer, Johnny Cavazos , who instantly impressed Zeus. Johnny agreed to join up in the developing band project. Originally Zeus called The band Texas Thunder , but after Joe Parsons found that there was already a Texas Thunder playing out in Montgomery County, he simply decided to keep the Thunderboltz name- the Texas representative of the project.
In late November of '00, the line-up of Zeus, Cavazos, DiBlanco, Jensen and Neifert went into the studio to record "Big Hair", the tongue-in-cheek bashing of prodigious female fashion, and "Swamp", a tune inspired by Zeus' move to the sub-tropical Gulf Coast.
Those two tracks were to be included on the Thunderboltz album to represent the new band's contributions. Up until then, Zeus returned to Chicago several times to gig and complete other commitments , which included the mandatory A2Z and Thunderboltz performances at the traditional St. Stan's Carnival in the old neighborhood ,and a continuing connection with his Forest Park fan base The Old Fud would say, " Well, there goes Mark Zeus off to Chicago to report to his parole officer!
However, in early November of '00, he returned with one thing in mind: complete the new album. Zeus and Caw blocked out three full days- bringing in the musicians and recording mandolin, which finished all the tracking with the exception of harmonies on two tunes.
Some mixing was accomplished, but it was evident that the Caw-Zeus team would have to work long distance. Two premixes and an agreement that they would mail and e-mail mixes and notes were taken back to Houston with Zeus. Mark was impressed by an emerging singer and songwriter who was a regular at the Blanco's jam, Melinda Mones.
Her voice seemed to have the necessary presence and strength to match Zeus' in order to achieve the harmony for the bluesy rockers, "Top Shelf" and "Sweet". She added the haunting quality evident on "Sweet". They were able to complete the tracks in a three-hour session. Soon thereafter, after some initial mixing, all tracks from "Swamp" and "Big Hair" were also sent off. On the performance side, MZ landed a significant solo gig in November, opening for David Wilcox at a concert sponsored by The Next Door Coffeehouse , a relatively new, but very promising and active not-for-profit, acoustic venue.
He had been a winner of the singer-songwriter competition there. Carole commented that it's probably the only time the kids ever got a chance to see and hear live music. MZ had periodically continued to return to perform at the school. It was also at about this time that Mark received an E-mail from an interested DJ in Belgium, Ray Pieters , who asked him to send some music.
Zeus' music was and is being heard on many European and Australian radio stations as a result. The mixing phase of the Thunderboltz album continued through the Winter and into At least a dozen sample mixes were sent back by Caw, with corresponding mix notes sent back by Zeus. Finally in early March '01, the final master was ready. Mark drove to Chicago on March 24, and although that final week before the release was, to say the least, hectic, the release event was successful Due to printing errors, Zeus had to drive crosstown to pick up the final inserts and CDs the day of the release, getting caught in the worst traffic jam in Chicago history.
On a Friday afternoon, some guy decided to park his truck in the middle of The Dan Ryan Expressway and threaten to kill himself. The cops had to block off traffic in both directions emptying highway traffic onto the already crowded streets. That aside, it was an inspiring evening. Bob Apollo brought out his new band to open, and A2Z joined Thunderboltz in a massive final set. Upon returning to Houston, Zeus commenced to organize and execute the Houston release party at Walter's on Washington on April 21, ' This party was, of course, a bit smaller and definitely less stressful , but the new band rose to the occasion.
Several friends helped out on stage, including Ken Gaines and Melinda Mones. New bassist, Marius Fleck was also introduced at the celebration. She spent a great deal of time in TX, where she is from originally. He began to sit-in on her gigs and performing with her regularly when she came through Houston. Kim had at that time decided to relocate to Houston, while also keeping her home in New Orleans. Coincidentally, in '02, Kristen had moved to New Orleans, although she returned in '03 to continue work with Zeus, as well as her Celtic and Gypsy band-mates.
In Jan. MZ wanted a representative piece for the Houston sound. The tracks went down over the following two months. A brand new piece, Blue Horizon , a ballad written exclusively for the project, was added, featuring the harmony of Lisa Novak. The themes represent different perspectives on love, lust and attraction. Although a quick detour off the progressive Zeus track, the EP also represents a Rock and Roll heart mixed with Country Roots- revisiting the past and understanding the permanence of the basics.
Kristen Jensen fiddled for that project as well. As a result, Zeus had begun performing live with Lisa's band. Through that experience, MZ met bassist, John Haddad , who would eventually become a member of Thunderboltz.
Lisa and Melinda Mones, who had met through the T-boltz recording sessions, began to collaborate and perform live accompanied by MZ and John. Later that Summer, Zeus picked up a sound engineering job with Toast and Jam , a local, upscale jobbing band run by Ernie and Barbara Wells. Ernie, an established sound engineer himself, become the primary studio engineer for One Magic Moment.
The Houston Thunderbotlz, having been on a hiatus due to an injury to drummer, John Cavazos, reorganized in early In addition to John Haddad on bass, they added a new guitarist, Anthony Klonaris , a veteran of the Houston scene. Kristen having since returned from New Orleans rejoined the band on selected gigs.
An A2Z reunion also was a big part of that trip. In Aug. In '04 his partners, Melinda Mones and Lisa Novak actually won the award. MZ finally returned to the studio in '06 and, by Feb '07, work was completed on his new acoustic album. The early fruits of that project had resulted in the '04 release of The Single: two songs on CD.
The cover of "Ring of Fire" has been recorded as a ballad- reflecting the version often heard at Zeus acoustic shows. The album also includes some favorite selections from live shows such as the groovy trash song,"Hole", and a re-recording of an old classic, "Sarah Says" which opens the album. Some seldom heard tunes such as" One God," "Invisible Bus" and "The Test" were beautifully recorded and included as well.
Kristen Jensen fiddle and harmony appeared on several tracks. Zeus proceeded to organize and execute a blow out release party at Blanco's in April.
Great music, food and friendship was enjoyed. Its first location was the upstairs room of a hour restaurant on W. Gray called The West Gray Cafe. It was a nice comfortable venue. Players and audience began to attend regularly. MZ even set up a couple weekend shows featuring some the best in Houston talent. It was looking like another quality acoustic venue was developing in the area.
However, the venue changed ownership soon thereafter. A deal could not be struck to continue use of the space, so the event needed to find a new home.
MZ began his 5 yr. He knew of the "Cosmos" from his attendance at Swing Kings shows on the 2nd Sunday of each month. Wayne Wilkerson, Ken Gaines' among others guitarist sideman, was a member, along with legendary Peddle Steel man, Herb Remington and a fun cast of great swing and country musicians. Wayne has since become a Thunderbolt and regular sideman on a quantity of Zeus acoustic gigs. Realizing that Cosmos did not have a regular event on Tuesdays, Mark approached ownership and made the move.
Again, soon thereafter in Sept '02, the venue hosting the BCS changed ownership. This time the new owner, Peter Pallas, agreed to continue Tuesday nights as is. It lasted for 5 more years at Cosmos, until Peter decided to sell the business. During that stretch, Mark was a staple performer at the club, as well as a sound consultant MZ assembled and installed the house PA there and hosted many other events besides the BCS.
This time Cosmos was to be no more as it closed it's doors on Nov 30, '07, giving way to a newly-remodeled Yuppie Sports Bar. The closing of Cosmos Cafe came in the midst of a very trying period for Zeus.
For a very long time he suffered from osteoarthritis, a degenerative joint disease. Due to many years of sports, jogging, roadie work and more, the cartilage in his hips wore out and they basically began to lock up. Mark's hips needed to be replaced. He underwent 2 surgeries on Oct 9 and 30 of ' The second resulted in complications yielding a much longer rehab period than expected. As a result of his pending lay-off, the Houston music community and his friends organized 2 separate benefit concerts.
Both featured stellar lineups and were well attended and enjoyed. The one at Cosmos Cafe was initially organized by a long-time Houston area songwriting colleague and friend, Willie Atkinson. The second at JP Hops House, where Zeus has continued to be a regular performer since his move to Houston, was a brainchild of his good friend, Beverly Shirkey.
In addition to providing much needed help to MZ, these events brought the Houston music scene, and it's fans, together like few had before.
Thunderboltz had to be put on hold as a result of the lay-off. Although Mark had been able to return to "sit-down" acoustic shows, the energy and mobility it takes to execute band gigs had not yet been recovered. In the interim, a friend of Clay Farmer's opened up a little club near the Galleria area on the near West side of Houston. The owner, a big fan of Texas music, wanted to start up an open mike and Clay sent him Zeus' way. Soon thereafter, Mark came upon a well-established and comfortable venue in the Heights, not far from the old Cosmos, which seemed to be the place to establish a new home for The BCS.
So, in Jan of '08, MZ began hosting events in two new venues. Much of the promotion, marketing and stuff for One Magic Moment had, of course, also been put on hold. Although, the few stations who have it have played it often; and the few critics who have mentioned it, liked it. Originally, A2Z had planned for a reunion in Nov. The surgeries, of course, put that temporarily on hold. However, on Apr 26 of '08, Mark was able to return to the Chicago area and reunite with his old cohorts.
Bob had a long bout with liver disease resulting in a liver transplant. Finally ,after various complications and close calls, he has been well on the road to recovery. His presence made the night that much more special. Also in Apr. It quickly became the ultimate gathering place for songwriters and performers that the Cosmos had once been.
However, it was a fledgling business and couldn't endure the mounting initial costs and debt that all new businesses must incur. The Spring of '08 also saw Zeus receive another significant songwriting award. Mark's good buddy, Big John Mills, joined him onstage to perform the song for a packed house at the Palestine Civic Center.
The Academy continued to be an important vehicle for the promotion and recognition of Texas music artists. In November of '09, in his continuing attempt to promote new events and venues, found out about and attended a new open mike at small dive bar near his home, NJ's. That audience member, Dennis Locke, happened to be the relatively new owner of the the long-standing establishment near Pinemont and Antoine on Houston's Northwest side.
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